How did a 73-year-old government agency operating under an almost laughably boring mandate (“to interpret Canada to Canadians and other nations!”) turn into a hotbed of film innovation? NFB chair Tom ...
In September 2019 (though, given the many delays thus far, that’s just a rough guess at the moving date), the National Film Board of Canada (NFB) will bid adieu to their infamous old headquarters ...
Montreal, August 24, 2011 — The National Film Board of Canada heads to the 35th Ottawa International Animation Festival (September 21—25, 2011) with a dazzling array of international co-productions by ...
This February, keep on streaming Canadian on the NFB's platforms! To bring a little emotion and warmth to these coldest weeks of the year, we're ...
At a time when independent and international animation are more influential than ever, two of Canada’s key cultural institutions — the National Film Board of Canada (NFB) and Telefilm Canada — are ...
A screen capture showing the opening page of Welcome to Pine Point by the Goggles, a project awarded two Webby Awards in 2011. A screen capture showing the opening page of Welcome to Pine Point by the ...
The 2022 cartoon short 'The Flying Sailor,' which was shortlisted for an Oscar, has been dedicated to the champion of animation, who worked at the National Film Board of Canada for 37 years. By Etan ...
The image conveyed by the title Animation Express is of a train barrelling along the tracks. That's appropriate. Even apart from the notion of a public agency operating at full tilt, at least three of ...
The audio version of this article is generated by AI-based technology. Mispronunciations can occur. We are working with our partners to continually review and improve the results. The National Film ...
When Tom Perlmutter took on the top job at the National Film Board of Canada in 2007, he did what was expected – travelled to Ottawa and began knocking on doors. He found a sympathetic audience among ...
The head of the National Film Board (NFB) is hoping to soothe tensions with filmmakers after an independent group alleged the Crown corporation is mismanaging its budget and hurting Canadian cinema.
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